Archive for September 2011

Pakistani Indian border

As most of you know the border between India and Pakistan is one of the most heavily guarded in the world. The Kashmir Conflict has made the rest of the world hold their breath on more than one occasion. The battles pitched at the Siachen Glacier rank among the highest battlegrounds in history. Activists and artists touching on the conflict risk their well being. But Salman Rushdie, author of Shalimar the Clown, was used to that, the cynic will say. Nevertheless, sometimes zones of conflict produce amazingly beautiful images. And that was the case just two weeks ago, when NASA released this picture:

The thin orange line is the border between the two Asian countries. How amazing, how sad.

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Theatre of the Oppressed

Brent Blair uses Theatre of the Oppressed techniques with genocide-survivors in Rwanda. Theatre of the Oppressed has a vast global reach spanning numerous disciplines, yet perhaps the least investigated aspect of the work to date has been its use in collective trauma, even while this becomes increasingly necessary in light of recent experiences of mass violence.  There is hardly a more fertile training ground for problematizing this branch of the work than in the post-genocide culture of Rwanda, where co-author Brent Blair has been applying and revising Theatre of the Oppressed theory, training and practice for survivors, therapists and witnesses of the 1994 Rwandan genocide since 2007.

Co-authored by USC colleague Angus Fletcher, this article advances several observations about the exigencies of practicing TO in a world where expressivity is minimized and where protagonist/antagonist conflicts remain unimaginable.  This article recounts the birth of a trauma-centered, Rwandan-born TO technique, The Museum of the Unspeakable.

In this video Brent Blair tells us how mechanisms of dehumanisation work, whereas in this one he touches upon the difficulties one can have whilst dealing with post colonial relations in professional work. Brent Blair is coming to Utrecht, the Netherlands to present two workshops. Check them here. These workshops are presented by Community Arts Lab Utrecht and Foundation Formaat.

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Stormtrap

Palestinian rapper Stormtrap was one of the performing artists at the Pax-it organised Night of Peace at the International Day of Peace Utrecht last week. Stormtrap was one of the founders of the Ramallah Underground but that band split. An old interview with Ramallah Underground is clickable
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Gaza Diary, the Round Up

Last Friday the presentation of  the four young Dutch directors, involved in SEE YOU, took place. Dennis Meyer of LAB Utrecht, one of the corporated theatre companies, did extensively report  about the about their experiences at this blog. Friday was the final meeting of the project.
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Nine Eleven, pt. 2

As predicted a few weeks ago the wave of Nine Eleven related storie starts swelling. In the Economist one can find a interesting article on what developments trok place in fiction since the attacks. The editors give us three reasons why writing fiction about Nine Eleven is hard: 1. The attack on the World Trade Centre was such a huge and overpowering event that
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Museums for Peace

As we have published on this blog there are many museums which reflect on war, even show images of embedded artists. Remember the Imperial War Museum? Perhaps war museums are a good idea: war should be in museums only. But did you know their antipedes do also exist? Museums for Peace are non-profit educational institutions that promote a culture of peace. They inform the public about peace and nonviolence using illustrations from the lives of individuals, the work of organisations, campaig
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