Archive for July 2012

‘Drones, but: don’t panic’

Currently, there is a debate concerning the use of drones in war zones. Interestingly, and not even astonishing, the discussion is giving new impetus now is said that the USA might expand the use of drones for domestic surveillance. Micah Zenko wrote an article titled ‘Drone, Sweat Drone’ in Foreign Policy arguing we shouldn’t be too worried about the use of drones for domestic surveillance. The first sentence says it all: ‘The debate over domestic surveillance is heating up. But don't panic yet.’ Well, I do panic. The use of drones, whether or not for domestic use, is expanding rapidly and there are hardly any regulations to it.

Fortunately we have artists reminding us of the terrifying outcomes of these cool technologies (watch the buy cheap cigarettes

/” target=”_blank”>documentary ‘Remote Control War’ and see how cool it is). Think of the photojournalist Noor Behram documenting the aftermath of drone strikes in Pakistan, and James Bridle and Einar Sneve Martinussen in their project ‘Drone Shadows’ (see also picture above). For more artists creatively using drones in their work, click here.

One might say I am messing up two different discussions: The use of drones in warfare can’t be compared to the use of drones for domestic surveillance. Does it matter whether you live in the USA or in Pakistan? From an ethical point of view, in my opinion, it doesn’t. Obviously, others people’s opinion might differ from mine. And if you have some more time: listen to this interesting and sometimes stunning radio interview on ethics and technology in warfare.

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Creative Syria

In December 2011 the British Council still dared publishing a report in which “the flowering of arts in Syria” was heralded and in which it announced learning would never stop. Now that latter certainly has to be the case, since with Assad and Putin and the West playing games with human rights the regular citizens of Syria are the victims. And they have to keep on thinking of and learning about new and creative ways to have the world look at them. For the world not to fall in the trap of Assad’s intention of having the revolution being labeled as a civil war.

This blog has posted on Syria before and will most certainly keep on doing so. What the brave peaceful opposition in Syria is doing is nothing but heroic. Two weeks ago Dutch Impakt Festival hosted an event with movies curated by Charlotte Bank . See one of that movies, ‘Smuggling 23 minutes of Revolution’, here. Or see a short registration of one of the great ways of diffusing information to audiences by using balls or here . The international supportive campaign Adopt a revolution used that same way of communication at various festivals this summer. To show to Syrians they are not forgotten. That their struggle is supported. Even though images as this report from Homs would suggest the opposite.

The fact that the Dutch Prince Claus Funds, an international foundation supporting the arts, opened up an exhibition in their gallery in Amsterdam contradicts that suggestion. In the show Culture in defiance the fund shows work of various Syrian artists. The show, which opened in June even made the Dutch television, largely due to the presence of Ali Ferzat whose fingers were brutally broken by the Assad regime to prevent him from drawing his cartoons. Read more on Ali Ferzat here or see his cartoons here.

Within the framework of the exhibition in Amsterdam the Prince Claus Funds and the Amsterdam Fund for the Arts organize an evening with Syrian movies at August 14th. See you there! In the meantime be inspired by this great series of cartoons and puppetry shows.

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Street art in crisis

I love capital cities (at least for a couple of days). I intensely enjoy sitting at a busy street filled with moving people knowing that most of them have made a reasonable decision to move into precisely that direction at that time. It feels great to be part of that crowd of people, knowing that hardly anyone sees me. Capital cities have more to offer: A subway, having a metro network is almost an intrinsic feature of a capital city (and one of the most useful inventions
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